There was something unsettling me about this “finished” painting. It wasn’t connecting and the nest wasn’t feeling embedded into the tree. I knew what I should try to resolve the problem, but there is an internal fight that happens- one is telling you play it safe, don’t risk it and the other is saying, try to make it a better painting, don’t leave the ‘what it could have been?’ question unanswered.
I have a card that my daughter gave me that I keep close to my painting desk. It says “Art is Not for the Faint Hearted”. I read it out loud a few times, then gave my brush a few swirls in my water, loaded some alizarin red onto the brush and then there was no turning back. I was committed and I think my bravery was rewarded. What do you think?
Now the painting is being flattened before I take it to the photographer to photograph for prints and frame.
Platypuses, along with echidnas, are the only mammals that lay eggs instead of giving birth to live young. In warmer environments, such as Queensland, platypus are smaller, with Tasmanian platypuses often much bigger.
Platypuses close their eyes, ears and nose when underwater. The only sensory system they use when foraging for small water animals such as insect larvae, freshwater shrimps, and crayfish, is touch. They have touch receptors in their bills.
The final original painting, titled “Afternoon Siesta”, of my Sleepy head series has sold. A young lady, from Sydney, visiting Tasmania, saw my artwork at Artefacts Inc Gallery https://www.salarts.org.au/portfolio/residents/artefacts_inc/ She bought three prints, including Afternoon Siesta, and returned home.
About a week later, she phoned me because she couldn’t get Afternoon Siesta out of her head. She was so excited about making the decision to buy it. It’s her first original art purchase. She’s originally from Norway, and has lived in Belgium and France too and now she’s living in Sydney, Australia.
We agreed that this wombat is the most relaxed looking of the wombats that I have painted. I can’t help but feel more relaxed whenever I look at this painting. It looks like every single bit of stress has dripped out of its paws. Now, it’s on its way to its new owner.
I finished my painting I’ve titled “Bunk bed Trio”.
You know the feeling when you can hardly keep your eyes open and you are well and truly ready for a nap, while at the same time this doesn’t seem to be the same case for the little people in the family. They are alert and ready for more adventures. I hope that Mother-Wombat gets her well-deserved rest soon??
I am basically a self-taught watercolour artist. About 12 years ago, I started taking evening Adult Ed classes, when I worked full-time. I have kept practicing and trying to improve my drawing and painting skills ever since.
I have submitted applications for local exhibitions, involving submitting a form, including a high-resolution gloss photograph when requested, and a non-refundable payment. I was so often rejected that I stopped applying. Unlike when you apply for a job, you can phone and ask why you weren’t asked to be interviewed and receive some constructive feedback. With the art application process, you usually aren’t allowed to engage with the judges, so you never find out if you were close to getting accepted, on the right track or are able to seek any kind of feedback to help you.
Rejection is discouraging and I think I briefly found myself skirting around the edges of Imposter Syndrome. Thankfully, for me, I focused on the people who do like and connect with my art, rather than those that don’t, and keep painting what I wanted to paint and I was able to avoid getting drawn into this misery. I can understand how Imposter Syndrome could easily suck you in and really damage your confidence.
I realise that many people underestimate how challenging I find art and think that I can draw anything. Myth buster – there are many things that I simply can’t draw!!, which also could feed into Imposter Syndrome. I struggle with composition, drawing and I usually erase whatever I am trying to draw multiple times. I think if people watched me undertaking a painting from start to finish, that they would be seriously surprised. I am a serious believer that drawing can improve with practice. It is about enjoying trying (the journey), enjoying the end-products that are successful, trying to give as little time as possible to dwelling on those that aren’t, (after analysing them to try to avoid the same mistake/s next time) and enjoying the joy that art gives to the recipients.
A friend encouraged me to submit an application form to enter my painting, titled “Goldilocks and the 20 Penguins” in the Waterways Exhibition to be held at the Long Gallery in the Salamanca Arts Centre, Hobart, Tasmania. Reluctantly I did, and success! the painting has been accepted!!
The Water Ways exhibition will open to the public at 10am on Friday 5th February at the Long Gallery, Salamanca Place, Tasmania and continues until Sunday 14th.
I hope that you are able to see the Water Ways exhibition and the original of “Goldilocks and the 20 Penguins”.
I started this painting, loosely inspired by the Goldilocks and Three Bears story, a few weeks ago. It feels like it is going to take a year to finish!!
I really like the colours of blue and beige. I think those two colours sing and are lively together. These two dominant colours also attracted me to try to paint this idea of fairy penguins and a wombat that formed in my head about two years ago.
I hope that everybody’s weekend is travelling along well.
Thanks for stopping by and hopefully next time you visit, there’ll be more penguins to see. Cheers from, Pj Paintings